South of Here, the fourth full-length studio release from Nathaniel Rateliff & The Night Sweats, reckons with a
lifetime of pain and trauma and transforms it into a stirring and soul-baring rumination on love, loss, hope and
resolve. Following Rateliff’s 2020 solo album, And It’s Still Alright, and The Night Sweats’ acclaimed 2021 release,
The Future, the new album blends both sides of his immense talent: emotionally potent, vivid storytelling and the
rugged, R&B revivalism that has powered the band to world-wide acclaim over the past decade. Iridescent Green
180g LP with die-cut O-card. Limited Edition. Indie Exclusive.

Gracie Abrams returns with her sophomore album, "The Secret of Us" released via Interscope Records. This is Gracie's most expansive body of work both sonically and narratively.  Coming off the heels of her hugely successful debut "Good Riddance" Gracie shows us how much she has accomplished in one short year. Gracie's growth as a songwriter and vocalist is showcased in her most extroverted album yet, as she continues to work with longtime collaborator Aaron Dessner. A portion of these songs were also written with Gracie's best friend, Audrey Hobert. This album was written with the urgency with which you run home to detail every moment of a night to your friend, with her live experiences over the past year having deeply shaped the identity of this album. 

The Avett Brothers return with their first album in five years. Produced by longtime collaborator, friend and early champion Rick Rubin, The Avett Brothers is as much untitled as it is self-titled, for as Thomas Keating said: “Silence is God’s first language – everything else is a poor translation.”

From the album’s all-vocal opening to the sharp, scrappy and scorching rock n roll blast of lead single “Love Of A Girl,” to the novel strains of folk, roots, synth and strings that have landed The Avett Brothers numerous Billboard Top 5 and chart-topping albums, three GRAMMY nominations, five Americana Music Awards, a documentary co-directed by Judd Apatow and Michael Bonfiglio, and so much more, this record is one that revealed itself naturally over time.

Recorded in Malibu’s Shangri-La Studios, as well as Nashville, Mar Vista, and the band’s hometown of Concord, NC, The Avett Brothers is a collection of songs seen through a lens of independently studied spirituality; questions and considerations in the interest of the divine unknowable. In an ongoing attempt to comprehend existence and our interpersonal connectedness, these songs seek the sacred in the commonplace: a cheap cup of coffee, the smallest movement of love, broken hearts and school bus lessons, a baby’s first and second steps, growing older and holding on to one’s roots, losing someone and accepting fate, rediscovering hope and finding sanctity in tragedy...ultimately reveling in the fun and surrender of what we cannot understand.

As their first full length release on Ramseur Records/Thirty Tigers since 2007’s Emotionalism, The Avett Brothers is both a cumulative opus and fresh start for the band’s future as a multifaceted and singular force.

Neon Pill is the highly anticipated new album from Cage The Elephant, and group’s first new music since their album, Social Cues, which won Best Rock album at the 2019 GRAMMY Awards.

Cage The Elephant consists of brothers Matt Shultz (vocals) and Brad Shultz (rhythm guitar) along with Daniel Tichenor (bass), Jared Champion (drums), Nick Bockrath (lead guitar) and Matthan Minster (guitar, keyboards, backing vocals).

Billie Eilish’s third studio album, "HIT ME HARD AND SOFT", released via Darkroom/Interscope Records is her most daring body of work to date, a diverse yet cohesive collection of songs— ideally listened to in its entirety from beginning to end—does exactly as the album title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. With the help of her brother and sole collaborator, FINNEAS, the pair wrote, recorded, and produced the album together in their hometown of Los Angeles. This album comes on the heels of her two massively successful albums “WHEN WE ALL FALL ASLEEP WHERE DO WE GO?" and "Happier Than Ever" and works to further develop the world of Billie Eilish.

Three time Grammy nominated Hiatus Kaiyote return with their eagerly anticipated new album Love Heart Cheat Code. The band have warmed up fans with standout single 'Everything's Beautiful' and what awaits is a masterfully crafted album from a band who are firing on all cylinders and totally in sync. LHCC is a mix of their classic neo-soul sound, fused with jazz, soul and rock - which is on full display on their cover of the Jefferson Airplane classic 'White Rabbit' and a fan favorite from their live shows, 'Cinnamon Temple'. The album also includes a feature from BMO from the cult classic animated series Adventure Time (Cartoon Network/Adult Swim). Throughout the campaign the band will build a bright and vibrant world for fans to dive into, with games, artifacts, mazes and all other matter of zaniness that one can expect from Hiatus Kaiyote. Just ahead of album release the band will be embarking on a 19 day US tour, which includes stops at Montreal and Toronto Jazz Fests and Electric Forest.

Timeless. Explosive. Romantic. Inspiring. How else to characterize Blue Electric Light, Lenny Kravitz’s 12th studio album? Kravitz’s mastery of deep-soul rock ‘n roll is a long-established fact. As a relentless creative force—musician, writer, producer, actor, author, designer—he continues to be a global dynamic presence throughout music, art and culture. Blue Electric Light is an impassioned suite of songs, that broadens this distinction and is the latest contribution of a man whose music—not to mention his singular style—continues to inspire millions the world over. On the album, Kravitz's talents as a writer, producer and multi-instrumentalist resonate as he wrote and played most of the instruments himself, with longtime guitarist Craig Ross. Lenny Kravitz has won four GRAMMY® Awards and sold 40 million worldwide. He was recently recognized by the CFDA with their “Fashion Icon Award” and was also selected as a 2023 Hollywood Walk of Fame inductee.

Camila Cabello has released brand new track “HE KNOWS (featuring Lil Nas X)” from her forthcoming album C, XOXO, which is out June 28^th on Interscope Records and available for pre-order now.  C,XOXO is written by Camila and brought to life with executive producer El Guincho (Rosalia, FKA twigs, Frank Ocean) and co-producer Jasper Harris (Lil Nas X, Baby Keem,  Jack Harlow). Camila recently appeared on the March 2024 cover of Paper magazine, who describe C,XOXO as having “an emotional immediacy and rawness” and go on to proclaim C,XOXO as her “boldest solo album.” 

FALLING IN REVERSE makes anthems that provoke and inspire. Unnervingly ahead of the pack and yet always decisively right on time, their mix of bombastic declarations and intimate confessions connect with diverse crowds worldwide.

Popular Monster, is their first full-length album in over seven years; an eleven song masterpiece, featuring five tracks that are bonafide smash hits, (three certified gold and one certified 2x platinum). Not ones to rest on their laurels, the six new tracks are incredible, and feature unexpected collaborations with some of the music industry hottest hitters.

With hit songs like “Popular Monster” topping the rock radio charts and earning them their first 2x platinum single, the band’s momentum only grows stronger, and their live performances are big reason why. From playing top festivals, to arena opening stints for Avenged Sevenfold, and Disturbed, to co-headlining with legends like Papa Roach, and now selling out headline shows in arenas across the country!

This album package will include a 24-page, 4 color booklet with lyrics and imagery from their YouTube Trending music videos, sized for the formats CD and LP.

WE DON’T TRUST YOU arrived as a celebration of the historic partnership of two culture-shifting legends at the peak of their powers, nearly breaking the internet in its wake.  Future and Metro Boomin’s latest collaborations are a continuation of a musical legacy that dates back to "Karate Chop," an electric 2013 single that birthed the most dynastic hip-hop duo of the 2010s. They'd fortify their connection with tracks like 2015's "Jumpman" (with Drake) and 2017’s "Mask Off," singles that have combined to be certified 14-times Platinum by the RIAA.  WE DON’T TRUST YOU features the track “Like That” feat. Kendrick Lamar as well as other “A list” guest features.

One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she's never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers's Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen.

And after years of being sober and stable in Kansas City - after years of sacrificing herself to her work and the road - Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse - an ethnologist of the self - forever dedicated to revisiting her wins and losses. But now she's arriving at revelations and she ain't holding them back. Produced by Brad Cook, the album features MJ Lenderman, Phil Cook, and Spencer Tweedy.

Taylor Swift - "THE TORTURED POETS DEPARTMENT" [Ghosted White 2 LP] - Taylor Swift/Republic Records; Pop EXPLICIT

The music on Deeper Well, the seven-time Grammy winner’s fifth album, is almost chimeric. Rolling acoustic guitars, puffy clouds of strings and synth, warm bass punctuations, layered harmonies, moments of Celtic melody and plenty of room on the tracks for Musgraves’ silvery vocals. On the bright, almost folky title track, the 30-something songstress surveys her life and priorities, recognizing what feeds her, drains her and even examines the childhood she’s left behind on her way to now.

Saturn returns, cardinals embody a dead friend, love is given and taken, streets rush by, belongings are packed and old chapters deserted, new love blooms, jade bracelets serve as talismans, deep lessons emerge, small details define everything, the woods are a refuge and New York City serves as the same gleaming beacon as Oz.

St. Vincent’s first self-produced record, All Born Screaming is Annie Clark at her most unfiltered. All Born Screaming is an invitation to test the limits of what is possible–and to then keep going;  Brought to life with the aid of a highly curated dream lineup of friends — Rachel Eckroth, Josh Freese, Dave Grohl, Mark Guiliana, Cate Le Bon, Justin Meldal-Johnsen, Stella Mogzawa and David Ralicke — the album is an unadulterated expression of St. Vincent’s singular vision.

Making a bold return, genre-defying, North Carolina-bred quartet and live sensations Rainbow Kitten Surprise will unveil their first full-length album in six years, LOVE HATE MUSIC BOX, on May 10, 2024 via Elektra Entertainment. After years of struggling with her own mental health that resulted in writer’s block, on-stage episodes, and tour cancellations, RKS singer/songwriter/frontperson Ela Melo was properly diagnosed and treated in 2023, vastly improving her quality of life. As if suddenly struck by creative intervention, songs once again poured out of her, writing at least one a day for an entire year and forming the backbone of their 22-track opus LOVE HATE MUSIC BOX. This epic mosaic of sound and emotion was fully realized once the band - guitarists Bozzy Keller and Ethan Goodpaster, drummer Jess Haney and former bassist Charlie Holt- reconvened in the studio, adding another dimension sonically. Produced by Daniel Tashian (Kacey Musgraves) along with Konrad Snyder (Noah Kahan) and Melo, the much-anticipated album ponders life’s ups and downs, and traces the turbulent trajectory of  relationships, painted out loud in hues of pop, electronic, rock, and hip-hop. As such, it finds the musicians at their most vulnerable, vibrant, and vital.  From “Peter Pan” through the finale “Thanks For Coming,” LOVE HATE MUSIC BOX unspools a cohesive vision all-around. Among the many highlights, they notably teamed up with GRAMMY® Award-winning multiplatinum supernova Kacey Musgraves on the impassioned “Overtime.”

GRAMMY award-winning, multi-platinum rock band Kings of Leon are coming back big with their 9th full-length studio album, Can We Please Have Fun. As the title suggests, it’s a document of one of this era’s great rock n’ roll bands cutting loose, trying new things, and, yes, having some fun. Recorded at Dark Horse studio and produced with new collaborator Kid Harpoon (Harry Styles, Florence + the Machine) the album sees a new side of Kings of Leon. On the new album, the band harkens back to their gritty origins while simultaneously finding new gears. It’s the sound of a band unified in vision and purpose, freed from any expectations, and the album the band says they’ve always wanted to make. Indie Exclusive Apple LP. Limited Edition.

With $10 Cowboy, Charley Crockett didn’t set out to make a themed record. He had released a concept album in 2022, the critically acclaimed Man From Waco, propelling Crockett to new heights and establishing him as one of the leaders of a sparkling revival of traditional country and folk music.  

For the follow up album, Crockett wrote freely, over a two-month period, as he wound his way across the United States on the back of a tour bus. The resulting songs—raw, personal, vivid portraits of a country in transition—ended up being connected after all.

“This material is written at truck stops, it’s written at casinos, it’s written in the alleys behind the venues, it’s written in my truck parked up on South Congress in Austin,” explains Crockett. “A ramblin’ man like me, a genuine transient, is in a pretty damn good position to have something to say about America.”

As the album unfolds, you begin to understand that a $10 Cowboy is anyone who has hustled to get by, who didn’t fit in, who has slept on other people’s couches, or the street, who has fallen down, gotten up, and ventured from home chasing a paying gig, or a new start.

“Being out on the road gives you a first-hand experience of how different kinds of Americans see themselves as going through some kind of great struggle,” Crockett says. “The roughneck working the oil and natural gas fields in West Texas. The single mother raising kids by herself. The young man working a street corner because he thinks it's his only option. I would be dishonest if I said I couldn’t see the thread. Each of ‘em feel invisible. I am struck by the battles they are fighting internally, and the ways they have been entrapped by what America says they are.”

The album was recorded at Arlyn Studios in Austin, produced by Crockett and his long-time collaborator Billy Horton. It was recorded live to tape, with anywhere from 6-12 musicians and backup singers on each track, giving the songs the feel of a live performance. It’s a sound Crockett has been after for years. “Reason I cut it on tape is because when you got the right people in the room, and the great players rise to the occasion when that red light is on and the tape is rolling, you get the magic of a great performance.”

It's exactly what he achieved with $10 Cowboy. Regular bandmates Fox, Nathan Fleming, and Mayo Valdez are joined by some of the genre’s most talented players—Rich Brotherton, Kevin Smith, Dave LeRoy Biller, T. Jarrod Bonta and others, including a string quartet. Lauren Cervantes and Angela Miller sing on the album. While the musicianship and accompaniment are exquisite, they are also subtle, placed joyously, yet judiciously across the album.

No, Crockett didn’t set out to write a themed record. Or, through his studied eye, to find America. But with $10 Cowboy, he might have done both.

The Moon Is In The Wrong Place is an upbeat, yet poignant narrative on grief and resilience from Shannon & The Clams. Woven from the threads of devastating loss and communal ties in the aftermath of profound loss – the sudden passing of Shannon's fianceé just months before their wedding – this record unfolds as the Clams' most introspective to date. With Dan Auerbach's production, the album delves deep into themes of heartache and healing, and showcases the band's trademark wry psychedelia, energetic nostalgia, and flourishes of retro beauty. It's a tribute to the power of art and community to triumph over tragedy, and a milestone in Shannon & The Clams' venerable oeuvre.

Beyoncé - Cowboy Carter - Country Vinyl LP

Khruangbin’s fourth studio album, A La Sala (“To the Room” inSpanish), is an exercise in returning in order to go further, anddoing so on your own terms. It continues the mystery and sanctitythat is the key to how bassist Laura Lee Ochoa, drummer Donald“DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music.If 2020’s Mordechai, the last studio LP Khruangbin made withoutcollaborators, was a party record that enhanced the band’s musicalreputation far and wide, then A La Sala is the measured morningafter. It’s a gorgeously airy record completed only in the companyof the group’s longtime engineer Steve Christensen, with minimaloverdubs. It’s a window onto the bounties powering Khruangbin’svision, a reimagining and refueling for the long haul ahead. A LaSala scales Khruangbin down to scale up, a creative strategy withthe future in mind. 

The trio’s collective musical DNA, the years spent constructing itin Houston’s local-meets-global cultural stew, ensures the bandcontinues to sound like no one but itself. A cascade of crispmelodies emanates from Marko’s reverb-heavy electric, dancinggently around Laura Lee’s minimalist almost-dub bass triangles,while DJ’s drums serve as the tightened-up pocket and unwaveringdance-floor on which all this movement takes place. Yet there’s afreshness to A La Sala’s instrumental interactivity, less concernedwith getting further out than going deeper in, a profound desire tocelebrate the world’s external wonders. Where prior albums strivedtowards music’s polyglot edges, such inquiries now sound likebeloved intimacies. Here, Khruangbin’s sonic touch-points —whether spaghetti-western film scores (on “Fifteen Fifty-Three”),West African discos (on “Pon Pón”), G-funk fantasias (“TodavíaViva”), living room dancing moments (the first single, “A LoveInternational”), or even ambient found-sounds (on “Farolim deFelgueiras and throughout the album”) — are ingrainedcharacteristics. This is who they are! Unique and huge (andgrowing), ambitious and driven. 

Khruangbin’s aspirations and commitment to playful creativityeven extends to A La Sala’s vinyl packages, of which there will beseven distinctive covers and color-sets. Designed by the bandusing Marko’s multitude of travelog photos, the images arewindows from the band’s living room onto a set of daydreams,scenes of impossible skies, external glances that illuminate what isgoing on inside. Each cover image comes with a matching colorvinyl. These too are all about looking out and looking back, in orderto better look ahead.

TANGK is, at its core, a love album. Open to anyone who requires something to shout out loud in order to fend off any encroaching sense of the void, now or forever. TANGK is a bona fide pop record in a way we’ve never heard from IDLES before, that is, something for everyone to pass around and share, communal anthems intended for overcoming our grievances. The word - pronounced “tank” with a whiff of the “g” - began as an onomatopoeic reference in-studio for the sound of a guitar tone, but has grown into a sigil for living in love. Joe sings on TANGK in a way we’ve never heard before, completing his transformation from post-punk firebrand into soul singing evangelist. TANGK was co-produced by Nigel Godrich, Kenny Beats, and IDLES guitarist Mark Bowen.